![]() There are many variations on this style, including double bevels (both the top and bottom edges are cut at an angle), and more elaborate edge treatments that combine bevels with other shapes. ![]() Here's a rundown of popular countertop edge treatments to help you select the right look for your kitchen or bathroom.Ī traditional edge style that evokes classical stone architecture, a bevel (sometimes known as a chamfer) is really just an edge where the top corner is cut off at roughly 45 degrees. There are edging options to consider with virtually every countertop material. The edging treatment should be considered when choosing any stone or engineered stone (quartz) countertop, of course, but it shouldn't be overlooked when using solid-surface materials or even custom laminates. From the simple square edge to the fancier DuPont custom edge, from practical and soft bullnose edge to a clean beveled edge, the right edging treatment shows off the beauty of your stone, finishes your overall room style, and provides extra decorative value. The countertop itself is seen and touched many times a day, so it is important that you consider the impact that the edging treatment will have on the aesthetics of your bathroom or kitchen. ![]() ![]() This detail often gets overlooked right up to the time when the countertop is installed-when many homeowners suddenly wish they had spent more time considering the options. When you are shopping for a new countertop for a bathroom vanity or kitchen, you may spend a considerable amount of time selecting the material and the pattern of the countertop itself, but almost no time considering what the edges of the countertop will look like. The Spruce Home Improvement Review Board.Whether you’re seeking a playful sideboard made of colored glass and metals, an antique Italian hand-carved storage cabinet or a glass-door vitrine to store and show off your collectibles, there are options for you on 1stDibs. A contemporary case piece with open shelving and painted wood details can prove functional as a storage unit as easily as it can a room divider. In the spirit of positioning your case goods center stage, decluttering can now be design-minded. The very history of storage case pieces is a testament to their versatility and well-earned place in any room. It wasn’t until the design made its way to North America that it became enlarged and equipped with enough space to hold clothing and cosmetics. The drawers served as perfect utensil storage. This furnishing was initially a flat-surfaced, low-profile side table equipped with a few drawers - a common fixture used to dress and prepare meats in English kitchens throughout the Tudor period. Mid-century modern credenzas, which, long and low, evolved from tables that were built as early as the 14th century in Italy, typically have no legs or very short legs and have grown in popularity as an alluring storage option over time.Īlthough the name immediately invokes images of clothing, dressers were initially created in Europe for a much different purpose. For these highly customizable furnishings, designers of the day delivered an alternative to big, heavy bookcases by considering the use of space - and, in particular, walls - in new and innovative ways. Mid-century modern furniture enthusiasts will cite the tall modular wall units crafted in teak and other sought-after woods of the era by the likes of George Nelson and Finn Juhl. In the mid-19th century, cabinetmakers would mimic styles originating in the Louis XIV, Louis XV and Louis XVI eras for their dressers, bookshelves and other structures, and, later, simpler, streamlined wood designs allowed these “case pieces” or “case goods” - any furnishing that is unupholstered and has some semblance of a storage component - to blend into the background of any interior. Of all the antique and vintage case pieces and storage cabinets that have become popular in modern interiors over the years, dressers, credenzas and cabinets have long been home staples, perfect for routine storage or protection of personal items.
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